Toxic Movie Review Yash: क्या Yash की ‘Toxic’ फैंस की उम्मीदों पर खरी उतरी? सच आया सामने 🔥
Toxic apne ‘keval vayaskon’ pramaanan ko bahut gambheerta se leta hai. Geetu Mohandas ki navinatam film, jo Kannada star Yash ke saath sahlikhit aur nirdeshit hai, mein vayaskon ke vyavhaar ke kai udaahranon ke saath-saath narsanhaar-star ki hinsa ka pradarshan kiya gaya hai.
Gangster Raya ka kirdaar nibha rahe Yash satta tak pahunchne ke liye peesne, peetne, kaatne aur jalaane ka koi mauka nahi chhodte. Yah Randi Rando aushat sharaabi ko mat deta hai aur lagatar cigarette aur cigar ka kash leta hai, lekin phir bhi vah jo bhi thaan leta hai uske liye apne liver aur phailphon ko achi sthiti mein rakhta hai.
194 minute ki film mein ati wah bindu hai jo mardangi ko sir par chadhane ki koshish karti hai. Kaaghaz par, Toxic ne apni KGF films mein Yash dwara darshaye gaye apunarmit purush charitra prakaar ki phir se jaanch karne ki dhamki di hai. Yash ne K.G.F. ke Rocky ke samaan ek anti-hero ki bhumika nibhayi hai, lekin yah alag bhi hai: Raya, asambhaavit Rocky, ko uske karmon ke parinaamon ka darpan dikhaya jayega, khaaskar un mahilaon par jinake saath vah bistar karta hai aur kabhi-kabhi jinase vah shaadi karta hai.
Atishyokti ko kaatne ke liye atishyokti ka prayog kiya jayega. Toxic laashon ko dher kardega, slo-mo swagger ko ujaagar karega aur zoradaar sanvaad shuru karega, lekin is sab ka ek bada, nek uddeshya hoga – kam se kam yahi vaada hai.
Ghatnayen bade paimaane par 1940 aur 1960 ke beech Goa naamak sthan par ghateen. Raya aur uski bahan Ganga (Nayanthara) aur unke factotum Karmadi (Sudev Nair) Salvador (Darrell D’Silva) aur bhai-behan Tony (Akshay Oberoi) aur Elizabeth (Huma Qureshi) ke saath giroh yuddh mein band hain. Aupniveshik Goa ki janasankhya teji se ghat rahi hai kyunki yeh samooh varchasv ke liye sangharsh kar rahe hain.
Raya ko Salvador ki beti Rebecca (Tara Sutaria) ke saath bhi kaam milta hai, jo ek vansa-yukt vyavsaayik vyavastha hai jise Ganga ki manzoori praapt hai. Bhai aur bahan bahut kareeb hain, unka bachpan dukhbhari raha hai. Lekin tabhi shahar mein ek circus shuru ho jaata hai.
Trapeze kalakaar Nadia (Kiara Advani) ke paas Raya ko aakarshit karne ke liye sahi santulan aur paheli ki sahi hawa hai. Unke joshiile romance ke varshon baad, Raya jaisa dikhne wala ek vyakti saamne aata hai. Usne Ticket (Yash phir se) bulaya hai aur Raya ko uske vyavhaar ke liye bhugtaan karne ke liye dridh sankalpit hai. Raya ab Melissa (Rukmini Vasanth) ke saath hai – mahilaayein uske liye girna band nahi kar sakti hain – aur uske paas khone ke liye pehle se kahin adhik hai.
Zahreeli aapoorti, bin maange, har cheez ki atirikt khauruk: preshan ke tareeke, Raya ki yaun shakti ka pramaan, sutra panktiyaan, shailibaddh set aur drishya. Sanyam ki kami yeh samajhne ke kisi bhi prayaas par havi ho jaati hai ki purush jo karte hain kyun karte hain – aur mahilaayein unhen saksham kyun banati hain.
Log kabaab ki tarah tirchhe ho gaye hain. Hathiyaaron ki ek shrinkhala se baarood ki anant aapoorti di jaati hai. Raya vaastav mein bistar ko todne ka kaaran banta hai. Goa mein mukti aati-jaati rehti hai lekin narsanhaar jaari rehta hai.
Rajeev Ravi ki cinematography chust, jeevant aur bahut rangin hai, jo aashcharyajanak kalpana ka nirmaan karti hai aur saamaanya drishyon ko bhi ubhaarti hai. Bharat ke is ati-vaastavik hisse mein marne ke laakhon tareeke hain. Camera ke peeche Ravi ke saath krurta lagbhag aakarshak hai.
Geetu Mohandas yahin kahin hain, hamein yeh batane ki koshish kar rahi hain ki unhen ek ke baad ek nirarthak khoon-kharaabe wale drishyon ko chalane mein bahut maza aa raha hai. Mohandas ne action set ke tukdon ka manchan karne ki apni kshamata saabit ki hai, khaaskar striking finale mein. Lekin Liar’s Dice aur Moothon ke peeche vichaarshil nirdeshak ka sparsh kam hi dekhne ko milta hai, mardangi kya hoti hai, is jigyasa mein, bahut jaldi bade ho gaye bachchon ke prati sahanubhooti, kaamuki premalap.
Aise samay hote hain jab ghaatak gambhir film, jo gambheer roop se ghaatak hone ki bahut koshish kar rahi hoti hai, apni haasyaspadta ka jaayza leti hai. Pehle apne kapde utaro aur phir apni kalaai kaat lo, Raya ne ek mahila se shikayat ki. Main kahaan dhyan kendrit karun?
Raya ki samarpit bahan aur vibhinn vijayon ke parinaamaswaroop kai abhinetryon ko paryaapt screen time mila. Inmein se sirf Kiara Advani hi prabhaav chhodti hain. Ek mahila ke roop mein Advani chamakdaar aur dil ko chhoo lene wali hain, jo Raya ke saath rishte mein pravesh karti hai, uski aankhen khuli ki khuli reh jaati hain, lekin uski kaayarta dekhkar vah andhi ho jaati hai.
Apni kshamata ke bawajood, bahan ka track kahin nahi jaata. Rukmini Vasanth ke paas sabse dukhdaayi up-kathaanak hai, vah navatam mahila ka kirdaar nibha rahi hain jo ghaatak Raya ko apratiruddh paati hain. Huma Qureshi ek Disney cartoon khalaanayak ki tarah buree tarah chillane lagi hain.
Mahila paatron ke saath ek khule taur par purush shaili ko aabaad karne ke avsar ke bawajood, Toxic haanikarak maataon aur kshatigrast ekal maataon ke baare mein thakaane waali rudaaniyaton ko badhawa deta hai. Sandeep Reddy Vanga ki Animal mein zahreeli mardangi ke baare mein gahri antardrishti hai, jo apne naayak ko mahatva dete hue, uski vikshipta ki jadon ki jhalak bhi pradaan karti hai.
Toxic mein, Raya ke manovikaar ko aasani se baahya roop diya gaya hai aur phir satahi roop se aantarik roop diya gaya hai. Kat-price therapy band karo, main marammat se pare hoon, Raya Melissa se kehti hai. Yah sahi hai, lekin vahsheepan ka aadi Toxic is gyaan ko sahi thahraane ke liye paryaapt aatmvishleshi nahi hai.
Film ek Yash showkeis hai, jabki daava anyatha kiya ja raha hai. Yash commanding hai aur kabhi-kabhi Raya ke roop mein marmik hai, jo pin ke saath ek chalta-phirta grenade hai, jo asurakshit mehsoos hone par ether mein phunphunkaar karta hai. Dhaari-mukt Ticket ke roop mein, Yash film ka sabase bada jhatka dete hain: chehare ke baal ek abhineta ke vyaktitva ko nikharnemein jo antar paida karte hain.
